It sits
untouched
by time and by my father,
waiting for her return.
I would not say
unkept,
but still neglected
and unfinished;
still waiting.
Unfinished projects
frozen:
half-painted walls,
half-fixed fences,
half-healed hearts.
Passerbys
do not notice
(if they stop at all)
the stiff
architecture;
the stagnate
air
lingering within.
The house
is her
and she
is dead;
yet remains
untouched
waiting for her return.
Thursday, March 31, 2005
Wednesday, March 30, 2005
Let me ask you:
have you ever been
in love?
I mean, really in love?
Do you know what it is like
to wake up smiling,
to sleep smiling,
to need someone as much as
I do?
Have you ever gone outside
and smelled the sweetness of the air?
Have you ever tasted kisses
so sweet
that you become addicted?
Has a hug ever given you
goosebumps?
I have.
I have loved.
I have needed someone
and been needed.
I have spoken her beautiful name,
and smiled
because I love her.
I have looked into her eyes
and seen my children
smiling back at me.
I love her with my whole heart,
mind, body, and soul.
She is here with me.
She loves me.
have you ever been
in love?
I mean, really in love?
Do you know what it is like
to wake up smiling,
to sleep smiling,
to need someone as much as
I do?
Have you ever gone outside
and smelled the sweetness of the air?
Have you ever tasted kisses
so sweet
that you become addicted?
Has a hug ever given you
goosebumps?
I have.
I have loved.
I have needed someone
and been needed.
I have spoken her beautiful name,
and smiled
because I love her.
I have looked into her eyes
and seen my children
smiling back at me.
I love her with my whole heart,
mind, body, and soul.
She is here with me.
She loves me.
a reminder
Your smile warms me.
Your touch calms me.
Your kiss sets fire to my soul,
and quenches my desire.
Your look tickles me,
and lets me know that you care.
I love you,
for the way that you love me.
I love you,
for the way that you touch me
with your eyes.
I love you,
because you are mine,
and I am yours.
You are beautiful;
not the way a flower is beautiful,
nor a painting.
You are beautiful
in a way that words cannot describe.
You must be seen to understand.
Your touch warms my heart,
and puts me in a state of
serenity.
I love you,
more than I love anything or
anyone.
How could I compare
the love I have for you?
To do so,
would shame you.
I love you,
my love.
Never forget me.
Your touch calms me.
Your kiss sets fire to my soul,
and quenches my desire.
Your look tickles me,
and lets me know that you care.
I love you,
for the way that you love me.
I love you,
for the way that you touch me
with your eyes.
I love you,
because you are mine,
and I am yours.
You are beautiful;
not the way a flower is beautiful,
nor a painting.
You are beautiful
in a way that words cannot describe.
You must be seen to understand.
Your touch warms my heart,
and puts me in a state of
serenity.
I love you,
more than I love anything or
anyone.
How could I compare
the love I have for you?
To do so,
would shame you.
I love you,
my love.
Never forget me.
position
The light from his nightstand
caresses his face and softly presses his
eyelids shut.
He lies on his side of the bed in the
familiar position of his marriage.
Years and years ago,
he and his love created this position,
and he will always cherish it,
if only in his dreams.
caresses his face and softly presses his
eyelids shut.
He lies on his side of the bed in the
familiar position of his marriage.
Years and years ago,
he and his love created this position,
and he will always cherish it,
if only in his dreams.
Tuesday, March 29, 2005
cat scratches
A friend wrote this and asked me to read it. I was amazed. With her permission, I am posting this for others to read.
cat scratches
To them
I am a way in.
I am the connection they can’t make.
I know the secrets, and the lies.
I have to give them something—-- mostly
Hope.
They make me give them something.
Hope that she is okay.
To her
I am a way in.
I am the connection to them that she refuses to see.
I can try to explain them.
I have to give her something--- mostly
Assurance.
Assurance that they love her.
But I have to defend her to them.
And I have to defend them to her.
I am always defending.
Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?
Why is she hurting herself?
Why don’t they understand?
Always, WHY???
They couldn’t handle it.
She wouldn’t handle it.
But all I can see is blood.
My head is swimming in blood.
Her blood.
Claire’s blood.
It moves in slow motion, but instead of her sitting there,
Looking at me,
Her face wet with tears,
She is lying there,
Cold and blue.
With all the blood.
I am standing here, trying to be strong, trying to defend,
But the blood is drowning me.
It looked as though she had flung her fucking arms around.
Intentionally spread her pain all over the floor,
For me to clean up. For me to hide.
And I did.
So I am standing in her blood, their blood, my sisters’ blood,
Trying to tell them it is okay,
She is okay.
She won’t leave like Claire did.
So I am standing in this pool of pain,
Trying to tell her that they understand,
That they are okay.
They know you aren’t Claire.
“Don’t fix me,” she says.
She also said, “They are only cat scratches.”
And they laugh out of fear.
But all I can see is blood.
cat scratches
To them
I am a way in.
I am the connection they can’t make.
I know the secrets, and the lies.
I have to give them something—-- mostly
Hope.
They make me give them something.
Hope that she is okay.
To her
I am a way in.
I am the connection to them that she refuses to see.
I can try to explain them.
I have to give her something--- mostly
Assurance.
Assurance that they love her.
But I have to defend her to them.
And I have to defend them to her.
I am always defending.
Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?
Why is she hurting herself?
Why don’t they understand?
Always, WHY???
They couldn’t handle it.
She wouldn’t handle it.
But all I can see is blood.
My head is swimming in blood.
Her blood.
Claire’s blood.
It moves in slow motion, but instead of her sitting there,
Looking at me,
Her face wet with tears,
She is lying there,
Cold and blue.
With all the blood.
I am standing here, trying to be strong, trying to defend,
But the blood is drowning me.
It looked as though she had flung her fucking arms around.
Intentionally spread her pain all over the floor,
For me to clean up. For me to hide.
And I did.
So I am standing in her blood, their blood, my sisters’ blood,
Trying to tell them it is okay,
She is okay.
She won’t leave like Claire did.
So I am standing in this pool of pain,
Trying to tell her that they understand,
That they are okay.
They know you aren’t Claire.
“Don’t fix me,” she says.
She also said, “They are only cat scratches.”
And they laugh out of fear.
But all I can see is blood.
Monday, March 28, 2005
all things beautiful
Ebb and flow throughout my short life!
Why must time be categorized,
organized,
filed away
into our minds?
Are you and I not one
in the same day?
Do we not exist,
but for the love and beauty
of all things?
Are there not an infinite amount of sunsets
(glories of life)
in the course of a day?
Can we not visualize our purpose
unless
it has a deadline?
Closing my eyes,
the clock stops its tick-tocking;
the cars stop their honk-honking; but
my heart continues beat-beating.
In the darkness of my mind,
time is eternal, it is pure and is made
from my blood and tears.
Time does not exist
for every atom in my body
(My body, my soul
does not move back and forth.)
In sleep,
all things are peaceful,
eternal,
pure.
In death,
the ebb and flow will stop,
and all that will remain
is love
(a love for all things beautiful.)
Why must time be categorized,
organized,
filed away
into our minds?
Are you and I not one
in the same day?
Do we not exist,
but for the love and beauty
of all things?
Are there not an infinite amount of sunsets
(glories of life)
in the course of a day?
Can we not visualize our purpose
unless
it has a deadline?
Closing my eyes,
the clock stops its tick-tocking;
the cars stop their honk-honking; but
my heart continues beat-beating.
In the darkness of my mind,
time is eternal, it is pure and is made
from my blood and tears.
Time does not exist
for every atom in my body
(My body, my soul
does not move back and forth.)
In sleep,
all things are peaceful,
eternal,
pure.
In death,
the ebb and flow will stop,
and all that will remain
is love
(a love for all things beautiful.)
Sunday, March 27, 2005
Under the apple tree
Under the apple tree,
the warm sun sets behind a purple horizon.
Patches of green grass
scratch our legs and
the knotted trunk itches my back.
We sit together.
80 years could pass,
all in one day,
and our love will be just as bright
as the sun that sets on
our lives together.
Under the apple tree,
we are at home
in our embrace,
and the apples ripen.
the warm sun sets behind a purple horizon.
Patches of green grass
scratch our legs and
the knotted trunk itches my back.
We sit together.
80 years could pass,
all in one day,
and our love will be just as bright
as the sun that sets on
our lives together.
Under the apple tree,
we are at home
in our embrace,
and the apples ripen.
Friday, March 25, 2005
I'm sorry that you can't see
our love on TV.
It's not the way I am
to always get the lines right
or always have my hair combed.
Our love is not a music video,
or a country music song (I'm not that tragic).
To me,
our love is:
picking me up when I am sad;
kissing my nose in the dark;
biting my shoulder in anger;
Our love wouldn't make
a good TV show.
It's only special
to you and me.
our love on TV.
It's not the way I am
to always get the lines right
or always have my hair combed.
Our love is not a music video,
or a country music song (I'm not that tragic).
To me,
our love is:
picking me up when I am sad;
kissing my nose in the dark;
biting my shoulder in anger;
Our love wouldn't make
a good TV show.
It's only special
to you and me.
Thursday, March 24, 2005
You don't think I love you
the way others do.
You don't think I need you
the way obsession needs
its fix.
You don't believe
what we are capable of.
You love me,
yes,
but its not magic or special,
just normal.
I don't believe a word you say.
You can't convince me that
I don't feel magic
when I look into your eyes.
I may not share us with the world,
or say what you want me to,
but I feel its special
inside of me.
I don't need to tell people
of your beauty
for it to be known.
I don't need to show off
our love
to be proud.
the way others do.
You don't think I need you
the way obsession needs
its fix.
You don't believe
what we are capable of.
You love me,
yes,
but its not magic or special,
just normal.
I don't believe a word you say.
You can't convince me that
I don't feel magic
when I look into your eyes.
I may not share us with the world,
or say what you want me to,
but I feel its special
inside of me.
I don't need to tell people
of your beauty
for it to be known.
I don't need to show off
our love
to be proud.
Wednesday, March 23, 2005
Ah, Whitman!
The leaves of grass may be dead,
yellow and brown,
covered with a littering
of sharp pine needles,
but the ground is warm
and smells fresh and new.
I chose to sit in the shade
on this side of the tree
that slopes upward
toward the concrete school.
I want to face downward,
downhill, but I want to feel
the strong, rough bark of this tree
hold me in the breeze.
I feel safer here,
so I try to avoid glancing
at the school.
In order for you to understand,
I must look, but understand
I am doing this for you.
It's depressing, really, to see
the sun warm its cold, white walls.
The sun does not differentiate
between concrete and grass
(although it should).
It shines, warms every body,
tree, building, and child's head.
The juxtaposition of grass to concrete,
city to nature, warmth to cold,
is understood by us all.
Thoreau is not the only one
to notice the banks of Walden Pond.
Nor Whitman,
as he sat and cradled the leaves of grass
capturing their infinity
for us to understand.
The difference:
Thoreau, Whitman (and now myself, I suppose),
continue to notice and
continue to write.
But they are dead, you say,
They cannot write!
Ah! But they do, for
they write through me and in me,
and by me.
Thoreau: in every drop of water;
Whitman: in every leaf of grass.
They are still here,
and so am I.
I'm glad I chose this side of the hill.
I'm glad I chose this pen,
and this day and
this sun.
The leaves of grass may be dead,
yellow and brown,
covered with a littering
of sharp pine needles,
but the ground is warm
and smells fresh and new.
I chose to sit in the shade
on this side of the tree
that slopes upward
toward the concrete school.
I want to face downward,
downhill, but I want to feel
the strong, rough bark of this tree
hold me in the breeze.
I feel safer here,
so I try to avoid glancing
at the school.
In order for you to understand,
I must look, but understand
I am doing this for you.
It's depressing, really, to see
the sun warm its cold, white walls.
The sun does not differentiate
between concrete and grass
(although it should).
It shines, warms every body,
tree, building, and child's head.
The juxtaposition of grass to concrete,
city to nature, warmth to cold,
is understood by us all.
Thoreau is not the only one
to notice the banks of Walden Pond.
Nor Whitman,
as he sat and cradled the leaves of grass
capturing their infinity
for us to understand.
The difference:
Thoreau, Whitman (and now myself, I suppose),
continue to notice and
continue to write.
But they are dead, you say,
They cannot write!
Ah! But they do, for
they write through me and in me,
and by me.
Thoreau: in every drop of water;
Whitman: in every leaf of grass.
They are still here,
and so am I.
I'm glad I chose this side of the hill.
I'm glad I chose this pen,
and this day and
this sun.
Tuesday, March 22, 2005
Oh sorrow! Oh depression!
Oh sorrow! Oh depression!
That which I hold so close to my breast
and dispel out of time and existence.
Oh sorrow! Oh depression!
From what cold, black pool
did you arise
to take me into your darkness?
I can feel you
sinking me deeper.
All that I see, feel, breathe
is your cold blackness
surrounding me,
grasping me by the throat.
Let me sing! Let me breathe once again!
so that I may rise
from your ash
and fly with the burning phoenix
over the dull horizon
toward the sun.
Let me feel my heart
beat again
so that I may awaken
the slumbering armies of the Northern skies.
They will march in beat
with my heart, and
shine with courage
down upon my brow,
and lead me to a place
of white light and heat
where you do not belong, and
cannot exist.
That which I hold so close to my breast
and dispel out of time and existence.
Oh sorrow! Oh depression!
From what cold, black pool
did you arise
to take me into your darkness?
I can feel you
sinking me deeper.
All that I see, feel, breathe
is your cold blackness
surrounding me,
grasping me by the throat.
Let me sing! Let me breathe once again!
so that I may rise
from your ash
and fly with the burning phoenix
over the dull horizon
toward the sun.
Let me feel my heart
beat again
so that I may awaken
the slumbering armies of the Northern skies.
They will march in beat
with my heart, and
shine with courage
down upon my brow,
and lead me to a place
of white light and heat
where you do not belong, and
cannot exist.
Monday, March 21, 2005
In the style of William Carlos Williams (or poems about nothing):
I have tasted
your icecream.
It was cold
and sweet
and wrong
to do.
I'm sorry
I slept
in the cool sheets
on the soft mattress,
under the warm blanket
of our bed.
I missed you,
but
it was nice
to sleep.
I know you are mad
because I am
late.
I was distracted
by the pool
of slush,
blackened with soot,
outside our door.
I'm sorry I'm
late.
I
could
not
stop
writing.
Do not be mad
at me
for not paying
attention.
I was
writing
of
love
and
you.
I know you are
mad
because I am
sad,
but sometimes
I cannot help
it.
Bright
Hot
Tall
Flickering
Standing
on
a
desk
waiting
to
be
snuffed
out.
Dead
and
red
upside
down
hanging
tied
together
bundled
together
dried
and
beautiful
roses.
One
second
at
a
time:
Tick
Tock
goes
the
clock.
She
loves
me,
she
loves
me
not.
Purple,
soft
collected
petals.
She
loves
her
daisies.
Still
and
quiet,
collecting
dust.
Green
waxy
potted
soil
sprouting
inside.
I am sorry
I let the candle
burn
all
night.
I like
watching
the
wax
melt
and
the
flame flicker.
Clear,
swirling water,
stained porcelain:
cool to touch.
It is beautiful,
but it comforts me,
rests me,
and swirls
when it flushes.
Behind the shadows,
next to the matted carpet
where stagnant odors
sit in waiting
lie pairs upon pairs
of dirty shoes
waiting to be worn.
I can smell its stench
floating through cracks.
I know that beneath
the lid
atop papers, bottles,
coffee stained filters,
and used tissues,
lie piles of soft,
glistening
pieces of a
dead chicken.
your icecream.
It was cold
and sweet
and wrong
to do.
I'm sorry
I slept
in the cool sheets
on the soft mattress,
under the warm blanket
of our bed.
I missed you,
but
it was nice
to sleep.
I know you are mad
because I am
late.
I was distracted
by the pool
of slush,
blackened with soot,
outside our door.
I'm sorry I'm
late.
I
could
not
stop
writing.
Do not be mad
at me
for not paying
attention.
I was
writing
of
love
and
you.
I know you are
mad
because I am
sad,
but sometimes
I cannot help
it.
Bright
Hot
Tall
Flickering
Standing
on
a
desk
waiting
to
be
snuffed
out.
Dead
and
red
upside
down
hanging
tied
together
bundled
together
dried
and
beautiful
roses.
One
second
at
a
time:
Tick
Tock
goes
the
clock.
She
loves
me,
she
loves
me
not.
Purple,
soft
collected
petals.
She
loves
her
daisies.
Still
and
quiet,
collecting
dust.
Green
waxy
potted
soil
sprouting
inside.
I am sorry
I let the candle
burn
all
night.
I like
watching
the
wax
melt
and
the
flame flicker.
Clear,
swirling water,
stained porcelain:
cool to touch.
It is beautiful,
but it comforts me,
rests me,
and swirls
when it flushes.
Behind the shadows,
next to the matted carpet
where stagnant odors
sit in waiting
lie pairs upon pairs
of dirty shoes
waiting to be worn.
I can smell its stench
floating through cracks.
I know that beneath
the lid
atop papers, bottles,
coffee stained filters,
and used tissues,
lie piles of soft,
glistening
pieces of a
dead chicken.
Sunday, March 20, 2005
I am
a flame
burning
brilliantly
for you.
My lips flicker
in and out
kissing your skin,
bringing warmth.
My eyes glow,
adoringly gazing,
casting shadows
onto your face
I am hot.
I am sexual,
burning.
I do not stop
until I am snuffed out
of existence
by a cold hand.
My passion burns,
melting my waxy body.
I drip
collecting on the coffee table.
My passion runs
down
my
side.
I am bright,
I am brilliant,
I will love you
until
I
am
no
more.
a flame
burning
brilliantly
for you.
My lips flicker
in and out
kissing your skin,
bringing warmth.
My eyes glow,
adoringly gazing,
casting shadows
onto your face
I am hot.
I am sexual,
burning.
I do not stop
until I am snuffed out
of existence
by a cold hand.
My passion burns,
melting my waxy body.
I drip
collecting on the coffee table.
My passion runs
down
my
side.
I am bright,
I am brilliant,
I will love you
until
I
am
no
more.
Friday, March 18, 2005
The teabag bleeds into
the hot water,
slowly oozing its nectar,
like a deep, red wound,
red river (split in two),
darkening--becoming pungent.
Hot blood in my coffee cup,
just below boiling point.
Who has wounded you?
Are the ripe, red strawberries
in my cereal your brethren?
Bobbing up and down,
the blood continues
without cries of pain
or shock.
I feel sadistic,
watching my tea bleed,
waiting to drink from its cup
as though ritualistically sacrificing
an animal and waiting for its
blood to collect in some holy, tin cup.
the hot water,
slowly oozing its nectar,
like a deep, red wound,
red river (split in two),
darkening--becoming pungent.
Hot blood in my coffee cup,
just below boiling point.
Who has wounded you?
Are the ripe, red strawberries
in my cereal your brethren?
Bobbing up and down,
the blood continues
without cries of pain
or shock.
I feel sadistic,
watching my tea bleed,
waiting to drink from its cup
as though ritualistically sacrificing
an animal and waiting for its
blood to collect in some holy, tin cup.
Thursday, March 17, 2005
While balancing an orange
on the round tupperware,
its lid blue,
stained with red chili,
I think of Jared
and how he still sucks his thumb.
He's nearly six
and once his lips have pressed
around the knuckle,
creating a tight seal,
he lapses into infantile reality.
It happens so easily,
how children (adults, too)
can lapse into childhood or childlike states
of mind
I wonder what he thinks of:
whether he was breast-fed or
bottle-fed,
whether he nursed for long?
He's a stubborn, whiney child,
but so are most adults.
Where can you draw a line,
separate the cognitions,
mark the maturity levels?
As a teacher, I can't make
him stop.
I'm not behavioristic and
he is not a Pavlovian dog.
I wonder if he feels
his mother's breast
pressed up against his cheeks,
her hard nipple
squeezed in his gums
providing him comfort, security, milk.
Or maybe he feels the rubber nipple,
soft and elastic,
squeezed in his gums
providing him comfort, security,
grainy, sticky formula.
Maybe he doesn't think at all.
No matter,
for if I push my orange
it will fall and roll onto the floor.
on the round tupperware,
its lid blue,
stained with red chili,
I think of Jared
and how he still sucks his thumb.
He's nearly six
and once his lips have pressed
around the knuckle,
creating a tight seal,
he lapses into infantile reality.
It happens so easily,
how children (adults, too)
can lapse into childhood or childlike states
of mind
I wonder what he thinks of:
whether he was breast-fed or
bottle-fed,
whether he nursed for long?
He's a stubborn, whiney child,
but so are most adults.
Where can you draw a line,
separate the cognitions,
mark the maturity levels?
As a teacher, I can't make
him stop.
I'm not behavioristic and
he is not a Pavlovian dog.
I wonder if he feels
his mother's breast
pressed up against his cheeks,
her hard nipple
squeezed in his gums
providing him comfort, security, milk.
Or maybe he feels the rubber nipple,
soft and elastic,
squeezed in his gums
providing him comfort, security,
grainy, sticky formula.
Maybe he doesn't think at all.
No matter,
for if I push my orange
it will fall and roll onto the floor.
Within these walls
We've retreated to our corners.
We didn't fight;
We didn't yell.
We're trapped
within ourselves,
within these walls,
within this country.
We've bounced off the walls.
We laughed,
we cried, but
there's no where to go.
Sometimes,
we just need to retreat
inside,
in order to save our sanity
within these walls.
We didn't fight;
We didn't yell.
We're trapped
within ourselves,
within these walls,
within this country.
We've bounced off the walls.
We laughed,
we cried, but
there's no where to go.
Sometimes,
we just need to retreat
inside,
in order to save our sanity
within these walls.
Tuesday, March 15, 2005
the waiting room
We enter
looking for fulfillment
and friends.
We are escorted
to wait patiently,
quietly
as they process our lives;
a year of our lives.
Our surroundings:
dull, polluted;
wet, cold;
crowded, uncomfortable;
foreign.
We wait.
We're bored.
We're confused.
We're frustrated.
No one talks.
They come to escape, make money,
and immerse themselves
in China.
We still wait,
hopeful.
We want to stay,
be happy,
but we're lonely.
Should we leave?
We entered
looking for fulfillment
and friends,
and found nothing.
looking for fulfillment
and friends.
We are escorted
to wait patiently,
quietly
as they process our lives;
a year of our lives.
Our surroundings:
dull, polluted;
wet, cold;
crowded, uncomfortable;
foreign.
We wait.
We're bored.
We're confused.
We're frustrated.
No one talks.
They come to escape, make money,
and immerse themselves
in China.
We still wait,
hopeful.
We want to stay,
be happy,
but we're lonely.
Should we leave?
We entered
looking for fulfillment
and friends,
and found nothing.
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